|
|
|
|
|
|
|
|
Oil Paintings
Come From United Kingdom
An option that you can own an 100% hand-painted oil painting from our talent artists. |
|
|
WERTINGER, Hans
German painter (b. 1465, Landshut, d. 1533, Landshut)
German painter and woodcutter. An artist as ambitious as Lucas Cranach I, he became one of Germany's first accredited court painters, working for the Dukes of Landshut in the triangular area defined by Ingolstadt, Straubing and Munich. The son of a functionary working for the Dukes, he was probably first taught by a certain Sigmund Gleism?ller (c. 1449-1511). Hans Mair (Mair von Landshut), who had come from Augsburg and had settled in Landshut, seems to have prompted him to work as a journeyman in Augsburg. His acquisition of citizen's rights in Landshut in 1491 suggests he was a master by that date. Mair seemingly procured him a series of commissions between 1497 and 1499 from Prince Bishop Philipp of Freising (1480-1541). The only work to survive from this period, however, is the large panel of the Life of St Sigismund (1498) in Freising Cathedral. It retains the deep tones associated with Augsburg painting, and its shape, with a pointed arch at the top, must also have been developed in Augsburg. As in Mair's work, several scenes are assembled in the arch and the side sections, creating a cramped Late Gothic framing architecture, |
|
|
|
|
|
|
|
|
|
|
|
WERTINGER, Hans
Princess Maria Jacobaa
Wood, 69 x 45 cm
Alte Pinakothek, Munich
|
| |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
WERTINGER, Hans
A Village Celebration
mk60
Oil on panel
9x16"
|
| |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
WERTINGER, Hans
Rural Fete
mk91
Oil on panel
22.5x40
|
| |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
WERTINGER, Hans
Boar Hunt
Date between 1525(1525) and 1530(1530)
Medium Oil on cradled panel
Dimensions 21 X 38.7 cm (8.27 X 15.24 in)
cyf
|
| |
|
|
|
|
|
|
|
|
|
|
|
1 | |
|
|
|
|
| WERTINGER, Hans
|
German painter (b. 1465, Landshut, d. 1533, Landshut)
German painter and woodcutter. An artist as ambitious as Lucas Cranach I, he became one of Germany's first accredited court painters, working for the Dukes of Landshut in the triangular area defined by Ingolstadt, Straubing and Munich. The son of a functionary working for the Dukes, he was probably first taught by a certain Sigmund Gleism?ller (c. 1449-1511). Hans Mair (Mair von Landshut), who had come from Augsburg and had settled in Landshut, seems to have prompted him to work as a journeyman in Augsburg. His acquisition of citizen's rights in Landshut in 1491 suggests he was a master by that date. Mair seemingly procured him a series of commissions between 1497 and 1499 from Prince Bishop Philipp of Freising (1480-1541). The only work to survive from this period, however, is the large panel of the Life of St Sigismund (1498) in Freising Cathedral. It retains the deep tones associated with Augsburg painting, and its shape, with a pointed arch at the top, must also have been developed in Augsburg. As in Mair's work, several scenes are assembled in the arch and the side sections, creating a cramped Late Gothic framing architecture,
|
|
|
|
|
|
|
|
